nights in white satin song wikipedia

Pinder's "Melancholy Man" (a No.1 single in France) stood out beside Hayward's "Question" on the 1970 album. Il atteint également le top 20 en Afrique du Sud[21], ainsi que le top 10 dans deux classements australiens[22],[15]. --Helios13 (talk) 20:04, 1 February 2018 (UTC), I believe NIWS charted in 1979; the article cites a 1979 Irish chart but does not mention it in the intro section. Pinder contributed the closing track on side one, "So Deep Within You". Sean Murphy de PopMatters l'inclut dans sa liste des « 10 chansons de 1967 qui ont façonné le rock progressif », en louant par-dessus tout « la voix magnifique » de Justin Hayward[26]. The Moody Blues performed live at the Birmingham Heart Beat Charity Concert 1986 which raised money for Birmingham Children's Hospital. In December 2017, the band were announced as inductees for the Rock and Roll Hall of Fame. (However, as appearances on French TV show, they continued to do two covers through at least the first half of 1968: the Hayward-sung "Don't Let Me Be Misunderstood", and "Bye Bye Bird", with the vocal and harmonica formerly done by Denny Laine now performed by Ray Thomas.) [7] Zo wordt het beperkte commerciële succes verklaard door de duur van het nummer. ». 13) and "I'm Just a Singer (In a Rock and Roll Band)" (No. Pinder and Thomas initially approached their former El Riot bandmate John Lodge about being the bass player, but Lodge declined as he was still in college. In the US, "Nights in White Satin" did not make the Billboard Hot 100 in 1968, although it reached No. Pikabruce (talk) 01:21, 16 October 2020 (UTC)Pikabruce (talk) 20:28, 16 October 2020 (UTC), As yet unsourced, but clearly true [1]. Dans le reste du monde, le single se retrouve également propulsé au sommet des hit-parades. [citation needed][according to whom?] [citation needed]. The album featured keyboards and arrangements from Italian musician Danilo Madonia, who continued to work in-studio with the band. He was briefly replaced by Rod Clark (born Rodney Clark, 23 November 1942, Surlingham, near Norwich, Norfolk), but in early October, Denny Laine also departed from the group,[17] which made Decca release "Boulevard de la Madeleine" c/w "This is My House (But Nobody Calls)" (Decca F 12498, 1966) only a few days later, as the Moody Blues seemed to be disintegrating. Lee M 00:24, 30 March 2006 (UTC), In the part about Sandra there is this, quite funny passage: "The music video, directed by Angel Hart, showed only close ups of Sandra's face as she was extremely pregnant at the time." Thanks in advance.JeffreyKrasner (talk) 18:57, 19 September 2019 (UTC), Nights in White Satin charting in 1979 and 2010,,,,,,,,,, Creative Commons Attribution-ShareAlike License, This article has not yet received a rating on the project's, If you have discovered URLs which were erroneously considered dead by the bot, you can report them with, If you found an error with any archives or the URLs themselves, you can fix them with, This page was last edited on 16 October 2020, at 20:28. I have just modified one external link on Nights in White Satin. Il ajoute toutefois : « Mais je ne pense pas que ce sera un tube »[Note 6]. De tekst is beschikbaar onder de licentie. Franck Pourcel en enregistre une version orchestrale du titre la même année[m 30]. 9 on the UK singles chart on re-issue in December 1972 and No. Edge provided "22,000 Days" (featuring Thomas as lead voice with Hayward and Lodge) while Thomas' contributions were the final portion of the set with his singing on the final two songs; "Painted Smile", "Reflective Smile" (a poem narrated by a DJ friend of the band) and "Veteran Cosmic Rocker". The band soon obtained a London-based management company, 'Ridgepride', formed by Alex Murray (Alex Wharton), who had been in the A&R division of Decca Records. Last edited on 20 September 2020, at 04:13, Learn how and when to remove this template message, Knights In White Satin / I Wanna Funk With You Tonite, I Wanna Funk With You Tonite / Oh, L'Amour,, Creative Commons Attribution-ShareAlike License, Musicland Studios, Munich, Germany, April 1976. Despite previous credits as an "official band member" and being included in group photos on the four '80s studio albums from "Long Distance Voyager" to "Sur La Mer", subsequent Moodies compilations downplay Moraz to being merely an "additional keyboardist" and several band photos have him cropped or airbrushed out, notably on the covers to Gold (which did not even mention him in the booklet liner notes, let alone include his picture) and the more recent compilation Polydor Years 1986–1992. Pinder's stirring lament "Lost in a Lost World" opened this last "Core Seven" outing, while his sympathetic ode to Timothy Leary "When You're a Free Man", Thomas's romantic "For My Lady", and Hayward's serene "New Horizons" all stood out. Toen de bandleden besloten hun aandacht te richten op het opnemen van eigen materiaal, zorgde Peter Knight voor de orkestrale omlijsting. --60darling (talk) 18:12, 10 January 2012 (UTC). The Moody Bluegrass project is a group of Nashville artists who have recorded two tribute albums of Moody Blues songs in the bluegrass style. Dit werd geschreven door de drummer Graeme Edge en voorgedragen door Mike Pinder. The Moody Blues formed in 1964 in Erdington, a suburb of Birmingham in the county of Warwickshire. 15 US) written by Hayward, and "Gemini Dream", (No. Aux Pays-Bas, il reste deux semaines consécutives à la 1re place du Single Top 100[10] et atteint au même moment la 2e place du Nederlandse Top 40[11]. Een vetgedrukt getal geeft aan dat dit de hoogste notering betreft. He also was occupied with spending large amounts of time planning a music concert to celebrate his native Switzerland's 700th anniversary instead of rehearsing with the Moodies and as a result, he was fired from the group before the project was completed, so Boshell and new keyboardist Paul Bliss were brought in to finish the new album's keyboard tracks. La chanson est également apparue plusieurs fois dans les classements singles français lors des années 2012, 2013 et 2014[24]. "In the Middle of the Knight" (Giorgio Moroder, "Knights in White Satin" (Justin Hayward), "Oh, l'amour" (Giorgio Moroder, Pete Bellotte), "Sooner or Later" (Giorgio Moroder, Pete Bellotte), "I Wanna Funk with You Tonite" (Giorgio Moroder, Pete Bellotte), "Let The Music Play (Single Version)" - 3:39, "I Wanna Funk With You Tonite (Single Version)" - 3:54, "Knights In White Satin (Single Version)" - 3:52, This page was last edited on 20 September 2020, at 04:13. Back from a disappointing spell in the Hamburg region a few months later,[12] the pair recruited guitarist/vocalist Denny Laine and band manager-turned-drummer Graeme Edge. Unless, of course, I am misunderstanding the meaning of "KKK" in this context, I believe that this is a very objectionable point about this article. Au Canada, il se classe no 1 dans les classements singles du magazine RPM[18]. 1 in the British charts, was indicative of the band's growing success in America. Le single atteint respectivement les 14e et 8e places de ces deux classements[6],[20]. [28][29], In 2007, the now defunct Hard Rock Park theme park in Myrtle Beach, South Carolina, announced the building of a dark ride entitled "Nights in White Satin: The Trip". The Moody Blues agreed, but insisted that they be given artistic control of the project, and Mendl (as executive producer) was able to provide this despite Decca's notoriously tight-fisted attitude to their artists. En 2012, elle réussit à se classer respectivement aux 41e et 55e places des hit-parades suisses et autrichiens[13],[25]. Pinder and Thomas also doubled as the Moodies' onstage MCs (as the "Caught Live + 5" album displayed. In the US, "Nights in White Satin" did not make the Billboard Hot 100 in 1968, although it reached No. The Moody Blues' contract with Decca Records was set to expire and they owed the label several thousand pounds in advances. Knights in White Satin is a 1976 album composed, produced and performed by Giorgio Moroder.. Side A of the album consists almost solely of a disco version of Moody Blues' 1967 hit "Nights in White Satin", interrupted by a Moroder/Bellotte composition called "In the Middle of the Knight". A four-track extended play release titled "The Moody Blues" featuring both sides of their first two Decca singles was issued in a colour picture sleeve in early 1965. Their long-time producer, Tony Clarke, died in January 2010. Skladba je objavljena kao vodeći singl proljeća (vidi glazba u 1995. Please take a moment to review my edit. [40], Deram Records, Threshold Records, 1967–1972, "Denny left on Saturday and we´re not sure what we´re going to do. Britanniassa suosio oli vähäisempää ja singlen korkeimmaksi sijoitukseksi jäi yhdeksäs sija. But it was their second single, "Go Now" (released later that year), that launched their career, being promoted on TV with one of the first purpose-made promotional films in the pop era, produced and directed by Alex Wharton. 36) were lifted from Seventh Sojourn as charting UK singles. (This single's release is often listed as being cancelled; however, both promo and regular stock copies have been seen over the years. One is a I'm guessing there wouldn't have been enough tracks in those days to add orchestral backing to the songs, so the orchestra just provides bridging passages around and between the band's contributions. Léo Ferré fait directement référence au morceau dans sa chanson C'est extra, lorsqu'il chante « C'est extra Un Moody Blues qui chant'la nuit / Comme un satin de blanc marié[m 31],[o 7]. 35) in "Blue World" (No. Kappaleesta on kaksi lyhyempää versiota, joista kummastakin on poistettu orkesteri ja runo-osuus. The British are Coming! L'année 1999 marque son entrée dans le Grammy Hall of Fame[32]. La reprise du groupe de punk rock californien The Dickies, beaucoup plus énergique, sort en single en 1979 et se classe à la 39e place des classements musicaux britanniques[j 6],[45]. Although the band had typically featured four lead vocalists (with Edge also contributing vocally), Hayward was the principal guitarist/vocalist whilst Pinder was considered to be the person most responsible for their symphonic sound, arrangements, and overall conceptual direction. I have just modified 3 external links on Nights in White Satin. I was trying to get the band to do an album, but the response was so weak I returned to California with my two new Mk5 mellotrons and began work on my solo album The Promise. The Present (1983), again produced by Williams, was less successful than its predecessor, though it spawned a UK Top 40 hit (No. [10] Health troubles led to a diminished role for founder Ray Thomas throughout the 1980s, though his musical contributions rebounded after Moraz departed in 1991. 22). Lodge provided his two-part "Eyes of a Child" and "Candle of Life" while Pinder contributed "Sun is Still Shining". In live concerts, the mellotron was still used heavily by Moraz until the mid-1980s, including on songs that did not originally feature it.[25]. The album opened with "English Sunset" a pop song featuring a modern, nearly techno arrangement. In addition to many of the participants of the first album, a number of tracks included guest performances from Hayward, Lodge and Edge, (each of whom is credited as the lead vocalist on one song) plus Thomas and Pinder, making this the first time since 1978 that these five musicians all appeared on one newly recorded album. In 2000 the band released Hall of Fame, a new live concert from the Royal Albert Hall, with a concurrent DVD release. Then in 1972, Lodge's songs "Isn't Life Strange?" Hayward and Thomas also co-wrote "Never Blame the Rainbows for the Rain" to close the album. December was the group's first album to include covers since their 1965 debut album The Magnificent Moodies. [2][9] It has been described as a "landmark" and "one of the first successful concept albums". Le 18 décembre 1972, Nights in White Satin est certifié disque d’or par la Recording Industry Association of America (RIAA) pour s'être vendu à au moins un million d'exemplaires[17],[Note 4]. 30 US, No. (Bias Boshell was the first, replaced in 1987 by Guy Allison before Boshell returned by 1990), as well as female backing singers. (...) La maison de disques a essayé de l'arrêter, en disant aux stations de radio de ne pas le passer, mais sans succès[Note 5]. 2 in the UK (kept from the top spot only by the England World Cup football team's novelty record "Back Home"). We´re waiting to see, "I wasn't content to just carry on this gig just to bring money in. Nights in White Satin is een vrij invloedrijk nummer van The Moody Blues. But then "Everyday", another Pinder-Laine song, stalled at No. Sivua on viimeksi muutettu 6. heinäkuuta 2015 kello 05.54. By this time, other bands were picking up their work. The album closed with "Watching and Waiting", composed by Ray Thomas and Justin Hayward and sung by Hayward. It was recorded in Recco, Italy, at Hayward's suggestion, and was the band's first self-produced effort. The band's vocal "sound" had become the blend of just Hayward and Lodge, which was still recognisable, if less textured than the original four-part, more complex "choral" sound. En 1979, Nights in White Satin refait son apparition dans les hit-parades britanniques, en partie grâce à Jonathan King[m 2], et irlandais. --Jay R. 14:46, 25 September 2007 (UTC), I left the UK in December 1964. Hoewel de verkoopcijfers van de single aanvankelijk tegenvielen, zorgde het grote succes van het album ervoor dat veel mensen bekend werden met het nummer. Pinder took legal action to prevent the new Moody Blues album from reaching the public without his contributions, but he was not successful, and ultimately, he never returned to the fold. This gentler trend continued on the two successive Moodies albums. Se nousi Yhdysvalloissa toiselle sijalle singlelistalla ja myi kultaa. Laine interviewed by Mark Murley in, I'm Just a Singer (In a Rock and Roll Band), Birmingham Heart Beat Charity Concert 1986, Jeff Wayne's Musical Version of The War of the Worlds, "The Moody Blues – psychedelia's forgotten heroes", "Readers' Poll: 10 Bands Who Should Enter the Rock and Roll Hall of Fame in 2014", "Justin Hayward on The Moody Blues and writing in corners", Obituaries – Hugh Mendl: Producer at Decca Records, "Show 49 - The British are Coming! Daarnaast is Nights in White Satin geschreven in een driekwartsmaat, terwijl de meeste popmuziek in vierkwartsmaat wordt geschreven. A second Moody Bluegrass album, Moody Bluegrass Two...Much Love, was released in 2011. 2 on re-release in 1972; "Tuesday Afternoon" was more successful on initial release stateside, peaking at No. During this period, the prog-rock band Yes had asked their keyboardist Patrick Moraz to leave, and he joined the Moody Blues as keyboardist for the Octave World Tour. “There was a lot of emotion that went into the song,” he affirms. [2][3] Een uitgebreide versie van ruim zeven minuten verscheen op het conceptalbum Days of Future Passed in 1967. En 2009, Gilles Verlant et Thomas Caussé la mentionnent dans leur livre La Discothèque parfaite de l'odyssée du rock, parmi les « 3000 morceaux classiques du rock »[33]. ), having been inspired by George Harrison. 2 US Mainstream Rock), a sequel to "Your Wildest Dreams". and then 'doubling up' the tapes of orchestral instruments' sounds, which combined with Pinder's ability and sensitivity at playing (Pinder having earlier worked for the company that manufactured the mellotron) and Varnals' recording skills at creating an orchestral 'wave' sound that characterised their non-orchestra accompanied sound thereafter. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. The five appeared as the Moody Blues for the first time in Birmingham in 1964. [4] In 1972 en 1979 werd de single opnieuw uitgegeven. These picked up both radio airplay and favourable reviews, but failed to chart in the UK. In late 1972, a re-issue of the five-year-old "Nights in White Satin" became the Moody Blues' biggest US hit, soaring to number two on the Billboard Hot 100 and becoming a certified million-seller; the song had "bubbled under" the Hot 100 charts on its original release. The album drew inspiration in production and arrangement from the pioneering use of the classical instrumentation by the Beatles, to whom Pinder had introduced the mellotron that year. Nights in White Satin sort en single le 10 novembre 1967[m 1]. They were inducted into the Rock and Roll Hall of Fame in 2018. They were so excited they wanted to have a copy and phoned the BBC, but the BBC said they'd already wiped the tape. Graeme Edge found a significant secondary role in the band as a writer of poetry, and some of their early albums from the late 1960s began with various band members reciting poems by Edge that were conceptually related to the lyrics of the songs that followed.

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